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Brahms

Brahms Johannes - 7 Lieder Op.48 No.1 - Der Gang zum Liebchen

Vinckenbosch

1:55	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	17	3	2	2	97%
	16	7	2	2	97%
Singstimme Voice	10	0	1	3	58%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	17	3	2	2	97%
	16	7	2	2	97%
Singstimme Voice	10	0	1	3	58%

Brahms Johannes 6 Songs Op 6 No 2 Der Fruhling

fredipi

1:44	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	31	6	13	4	99%
	27	45	9	4	100%
Singstimme	12	0	6	4	68%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	31	6	13	4	99%
	27	45	9	4	100%
Singstimme	12	0	6	4	68%

Brahms - violin part Sonata Op. 120/2 - Second Movement. Transposed to g minor for violin

Martínez José-Daniel

5:34	Est. Play Time
224	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		32	5	11	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		32	5	11	5	100%

Brahms – Intermezzo Op. 118 No. 2 (A Major) [String Quartet Arrangement]

Leonardo Cisija

6:49	Est. Play Time
117	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	25	2	8	6	100%
Violoncello	28	11	10	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	25	2	8	6	100%
Violoncello	28	11	10	6	96%
Viola	22	6	7	7	89%
Violin II	20	4	6	7	86%

Brahms - Sonata Op. 120/2 - Second Movement. Tranposed to g minor for the violin!

Martínez José-Daniel

5:34	Est. Play Time
224	Measures
	1,139Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	42	125	17	5	89%
	40	62	15	5	94%
Violin	32	6	11	5	77%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	42	125	17	5	89%
	40	62	15	5	94%
Violin	32	6	11	5	77%

Brahms - Violin Part of Sonata Op. 120/2, 3rd Movement. Transposed to G Major for the Violin

Martínez José-Daniel

7:43	Est. Play Time
155	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		41	5	19	9	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		41	5	19	9	100%

Brahms 6 Gesange Op.3 #3 Liebe und Frühling II for Strings Orchestra

negiwo

1:20	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	19	0	5	6	91%
Violoncello	19	2	7	6	85%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	19	0	5	6	91%
Violoncello	19	2	7	6	85%
Violins 2	20	3	8	6	83%
Viola	19	3	6	7	80%
Contrabass	11	1	3	5	63%

Alface Book [Revised 2018]

n yamato

3:14	Est. Play Time
65	Measures
	2,796Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhodes	41	48	28	11	98%
	33	36	15	8	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhodes	41	48	28	11	98%
	33	36	15	8	100%
Bass	28	2	14	9	100%
Muted Guitar	19	5	10	7	95%
Voice	19	0	11	9	95%
Marimba	35	26	19	4	94%
Flute	26	0	8	8	87%
Nylon Guitar	36	127	20	7	87%
Cello	29	1	14	9	81%
Electric Rhythm Guitar (Callope Lead)	36	102	19	8	81%
Strings	32	22	15	7	76%
Steelpan	24	1	9	6	28%

Brahms - Sonata Op. 120/2, 3rd Movement Transposed to G Major for the Violin

Martínez José-Daniel

7:43	Est. Play Time
155	Measures
	1,467Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	46	181	23	10	99%
	44	87	19	10	100%
Violin	41	5	19	9	85%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	46	181	23	10	99%
	44	87	19	10	100%
Violin	41	5	19	9	85%

Brahms Sextet Goes East III

rostropo

3:56	Est. Play Time
151	Measures
	1,168Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Melodie 1 (Koto)	28	0	8	7	100%
Melodie 2 (Koto)	28	0	11	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Melodie 1 (Koto)	28	0	8	7	100%
Melodie 2 (Koto)	28	0	11	7	100%
Percussion 2 (Kalimba)	27	5	10	5	97%
Bass	23	0	8	5	95%
Gitarre	30	11	12	5	95%
Percussion 1 (Steel Drums)	25	8	8	5	88%
Melodie 3 (Sitar)	22	3	9	5	78%

Brahms Sextet Goes East I

rostropo

13:45	Est. Play Time
398	Measures
	3,131Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	25	6	13	5	93%
Gitarre	36	106	17	6	88%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	25	6	13	5	93%
Gitarre	36	106	17	6	88%
Percussion 2 (Kalimba)	27	42	12	7	80%
Percussion 1 (Steel Drums)	32	35	14	6	79%
Melodie 1 (Koto)	38	6	16	6	73%
Melodie 3 (Sitar)	36	0	15	5	72%
Melodie 2 (Taisho Koto)	35	11	16	7	69%

Brahms Sextet Goes East IV

rostropo

19:16	Est. Play Time
509	Measures
	3,612Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	27	3	10	4	86%
Melodie 1 (Koto)	36	3	14	8	81%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	27	3	10	4	86%
Melodie 1 (Koto)	36	3	14	8	81%
Melodie 2 (Taisho Koto)	33	7	19	9	78%
Gitarre	34	57	17	7	77%
Percussion 1 (Steel Drums)	35	22	16	8	75%
Percussion 2	30	34	12	6	67%
Melodie 3 (Fagott)	33	0	16	7	44%

Ave Maria — Brahms

Adriane Cordula Fox

4:08	Est. Play Time
100	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	4	4	96%
Violoncello	21	1	5	4	96%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	16	0	4	4	96%
Violoncello	21	1	5	4	96%
2nd Soprano	16	0	5	4	89%
1st Soprano	15	0	5	4	85%
1st Alto	15	0	4	4	79%
2nd Alto	16	0	5	4	78%
2 Horns in F	11	4	1	3	50%
2 Flutes	17	17	5	4	40%
2 Clarinets in B♭	13	12	1	4	20%
Viola	7	0	1	3	10%
1st Violin	9	0	2	3	7%
2nd Violin	9	0	1	4	7%
2 Oboes	7	0	1	3	6%
2 Bassoons	3	0	1	2	2%

Brahms Clarinet Quintet　IV

Yukariji

15:04	Est. Play Time
233	Measures
	1,563Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	28	16	13	7	98%
Cello	37	3	13	6	95%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	28	16	13	7	98%
Cello	37	3	13	6	95%
Violin II.	32	26	14	6	91%
Violin I.	36	3	14	7	89%
Clarinet in A	37	0	17	7	78%

Requiem Selig Sind Die Da Leid Tragen

Nathaniel Fernando

7:54	Est. Play Time
158	Measures
	1,565Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ, Main Organ Voice 1	40	81	13	9	81%
	42	60	15	8	84%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ, Main Organ Voice 1	40	81	13	9	81%
	42	60	15	8	84%
Tenor	16	0	6	6	79%
Organ II	6	0	0	2	5%
	20	1	8	5	77%
Baritone, Bass	21	2	9	5	73%
Alto	19	0	8	6	71%
Soprano	22	3	9	6	67%
Organ, Main Organ Voice 2	36	28	10	9	27%
	37	26	13	10	35%
Organ, Main Organ Voice 3	39	19	16	6	22%
	15	6	5	4	14%
Organ, Main Organ Voice 4	3	0	1	2	2%
	5	1	1	4	12%

Parnassus

Triszt4n

4:27	Est. Play Time
77	Measures
	1,946Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II.	15	2	3	5	92%
Viola	16	4	3	5	90%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II.	15	2	3	5	92%
Viola	16	4	3	5	90%
Violin I.	22	3	4	6	85%
VIOLINCELLO	17	4	2	6	83%
Contrabass	18	7	1	6	70%
Flute 2	20	0	5	8	64%
Flute 1	19	0	6	9	60%
Oboe 2	17	0	5	7	55%
Oboe 1	18	0	5	7	52%
B♭ Clarinet 1	21	0	3	6	49%
Bassoon 2	18	0	5	6	49%
B♭ Clarinet 2	21	0	3	5	47%
Bassoon 1	15	0	4	6	45%
Timpani	7	0	0	4	40%
F Horn 1	12	0	2	7	36%
F Horn 2	12	0	1	7	35%
Tuba	8	0	0	5	27%
Trombone 2	12	0	1	5	26%
B♭ Trumpet 1	13	0	2	6	25%
B♭ Trumpet 2	15	0	3	6	25%
Trombone 1	10	0	1	5	23%
Hárfa	18	3	1	6	15%
	6	1	0	3	8%